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2015-11-10 - broadway James McCreery & Co
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Overwhelming Support as Landmarks Works Through the Backlog of Proposed Sites.

Ruth Osborne

Last Thursday morning at the Municipal Building at No. 1 Centre Street. dozens more supporters of landmark designations in New York City demonstrated their care for historic preservation in the city as well as their respect for the Landmarks Preservation Commission’s noble mission.

2015-11-10 greenwich village society for historic preservation landmarks preservation commission

GVSHP representative speaking at LPC hearing, Nov. 5, 2015.

This was another in a series of public hearings and viewings begun this July as part of the LPC’s “Backlog Initiative”. Reports on last month’s hearings have demonstrated just how greatly communities back the Commission’s initiative to designate and protect historically significant properties and neighborhoods.

2015-11-10 - gold street historic preservation

33-43 Gold Street. Courtesy: MakeSpace.

The buildings up for consideration this time around included:

* no. 801-807 Broadway, one of the few remaining 19th century cast-iron facades in the city and one that has played a significant role in the historic commercial development of the area and survived destruction by fire over 40 years ago

* no. 33-43 Gold Street, an 1840s Romanesque Revival style building now known as the Excelsior Power Company Building

* no. 2 Oliver Street, an 1820s Federal rowhouse

* no. 57 Sullivan Street, an 1810s Federal wood-framed rowhouse

* no. 850 12th Avenue, the McKim, Mead & White Beaux-Arts IRT powerhouse, now used by ConEd

2015-11-10 - broadway James McCreery & Co 1895

ames McCreery & Co. Building at 801-807 Broadway in 1895. Courtesy: Tom Miller.

The above-mentioned structures were the ones that seemed to receive the most attention from speakers. The arguments made for the designation of these buildings were very prudent and practical, despite what many detractors may say about extremists that want to freeze the city in time. Those who gave their testimonies in favor of designation (which was everyone who spoke over the course of the hour and a half that we observed) stated that current residents have not been inhibited by Commission oversight, therefore making landmark status not detrimental to their future well-being. Then why not grant designation after all?

2015-11-10 - IRT Powerhouse 12th Avenue McKim Mead White beaux-arts ConEd

IRT Powerhouse by McKim, Mead & White. Courtesy: NYC.GOV.

While the overwhelming support for protection of these sites as landmarks was obvious to everyone in the room, it was also painfully obvious just how little consideration the Commission is given as a city agency. The room itself was bursting at the seams with residents seeking to state their positions before the commissioners. There were just over 50 seats for press, participants, and observers. The rest were forced to overflow outside to the adjacent room, standing alongside walls, in doorways, and in an extra corner they could find. Is there any wonder why an argument has been made to provide the Commission with more resources to accomplish its mission?

Those represented before the Commission were a smattering of long-term neighborhood residents, students, tour guides, preservationists, architects, and politicians: the Greenwich Village Society for Historic Preservation (a mighty advocate in recent years), the Victorian Society of New YorkBIG architecture, the Society for the Architecture of the City, the Hudson River Powerhouse Group, Councilman Corey Johnson, and Manhattan Borough President Gale Brewer. Nearly all of these speakers went over their allotted three minutes, demonstrating their strong sense of duty in declaring the significance of these sites as city landmarks.

2015-11-10 - Sullivan Street historic preservation

57 Sullivan Street. Courtesy: Tom Miller.

According to one speaker’s experience, travelers coming into the city express shock that such significant structures have gone unprotected for so long. Not only was the argument made to preserve buildings as emblems of important design and architectural periods in New York, but also as markers of significant technological, commercial, and immigrant population change that formed the backbone of the city’s character and impacted the rest of the nation throughout history. Supporters of preservation do not care solely for structures as lavishly ornamented monuments to wealthy families past – they care deeply for their city’s rich history, something they find personal connection with in some form or another. The preservation of these buildings in question, as was made evident by the speakers’ testimonies, would serve to validate the value of the immigrants, artists, architects, merchants, and transit workers who worked and made their home in New York in centuries past. Historic structures offer diversity in the architectural landscape of the city – not uniformity.  And, as borough president Brewer pointed out, the place of public discourse on New York’s ever-development landscape is an essential element in good stewardship of this city that millions call home. We at ArtWatch greatly appreciate the time and energy the Commission has provided for these public hearings and their thoughtful consideration as they work through proposed designations.

On the other side of the Atlantic, the topic of heritage preservation is being revisited with the re-launch of historian David Lowenthal’s renowned book The Past is a Foreign Country (1985). The Warburg Institute will host an event on November 11th to commemorate Lowenthal’s significant effort in investigating the 20th century culture of conserving heritage. His work has been a cornerstone for contemporary study of how the past is preserved, re-enacted, remembered, and celebrated. Additionally, the upcoming ArtWatch UK Journal will feature an article by art historian Florence Hallett on issues of heritage preservation in England. What British preservationists are finding is that their architectural heritage is being mixed up with competing social policy trends. When the motives behind spending and support for historic preservation get caught up in policy and legislation, on both sides of the Atlantic, these complications interfere with the care available for the buildings themselves in the future; in the end, resulting in damage that cannot be recovered from easily (if at all in some cases).

Finally, later today, ArtWatch will join others again at an LPC hearing to provide support for the continued preservation of the Gansevoort Market Historic District in downtown Manhattan. The GVHSP has sustained a brilliant campaign against the proposed overdevelopment plan for the historic market buildings on Gansevoort. According to their website: “If approved, the development would not only destroy Gansevoort street and the surrounding historic district’s unique sense of place, but set a terrible precedent regarding the type of construction allowed in landmarked districts.” Stay tuned for reports!

2015-09-04 - Grand Central Station Chrysler Building
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Punishing Preservationists for their Lack of Resources? The Dangers of the Proposed “Intro 775” Landmarks Legislation.

Ruth Osborne

 

2015-09-04 Empire State Building

The Empire State Building, one of the landmarks that took longer than 1 year to secure.

I recently attended a lecture on the survival of one of New York City’s landmarked sites (now a professionally-staffed museum), and the speaker was very reluctant to answer mine and others’ questions about the politics behind historic preservation and the Landmarks Preservation Commission’s authority. He did, however, acknowledge that public opinion and testimony truly is the most effective thing in his experience of advocating for preservation.

Public outcry was the reason New York City Landmarks Law was enacted in the first place, and the LPC was created for the fundamental purpose of providing a voice for the historic integrity of a neighborhood or building that would otherwise be overlooked and forever wiped out by new development. But now, in the same year that we celebrate the fiftieth anniversary of Landmarks Law and the rich history it has helped preserve – places like Grand Central Station, 30 Rockefeller Center, and the Empire State building – proposed legislation now threatens to put a muzzle back on that voice.

Major news outlets this week have finally turned to acknowledging the Intro 775 bill, which will be scheduled for public hearing next week on September 9th. This bill is both unnecessary and unreasonable, as many preservation advocates have argued. It will essentially serve only to punish historic landmarks and the LPC for having been provided inadequate resources with which to do their job of thoroughly researching and considering potential landmarks. It could create an environment in which developers again have more say, and preservationists are no longer able to effectively do their job. Intro 775 proposes to implement a strict timeline on the designation of landmarks (both interior and scenic), as well as historic districts. It will, in effect:

(1) Impose a shorter calendaring timeline of for the LPC to hold a public hearing (180 days for individual landmarks, 1 year for historic districts).

(2) Impose a follow-up timeline after the public hearing within which the LPC must take final action (180 days for individual landmarks, 1 year for historic districts).

(3) Require the LPC to make determination on current items on the calendar within 18 months (that is, 95 total properties and districts).

(4) Barr a property or district unable to pass designation by the LPC from reconsideration of landmark status for another 5 years.

This is essentially imposing unrealistic time limits on the Commission for doing their work well and thoroughly. It acts almost as an inadequate performance review, but without any true understanding of what it really takes for the Commission to do their job properly. An interview earlier this summer with Andrew Berman, the Executive Director of the Greenwich Village Society for Historic Preservation,  gave ArtWatch some insight into the dangers this legislation could pose to the future of historic preservation in New York.

RO: Thank you for taking the time to speak with me about something both the Greenwich Village Society for Historic Preservation and ArtWatch is passionate about: proper stewardship of our cultural and artistic heritage. As ArtWatch is New York-based, we are currently expanding to cover issues regarding historic preservation of the city’s cultural landmarks and neighborhoods and are therefore interested in connecting with organizations like yours that work tirelessly towards such efforts. You spoke of a major issue of current concern for GVSHP: Intro 775 and the landmarking process. Can you elaborate briefly on GVSHP’s position on this?

AB: We’re definitely very concerned with Intro 775. It’s being portrayed as aiming to ensure there aren’t these delays or backlogs at the preservation commission but it doesn’t really do anything to ensure the commission would move forward in a timely fashion. It just penalizes the public if they don’t. Ninety-percent of recent designations do move within timing the bill proscribes. And in cases that don’t, there are understandable reasons why. This bill would essentially throw the baby out with the bathwater. It creates pocket veto: if the LPC doesn’t act within this tight time frame, the proposal will be rejected automatically. The bill doesn’t do anything to help get rid of some things that can be reasons why designations can take so long. The LPC is the smallest of all the city’s agencies – but the bill doesn’t improve funding or staffing. What it would really do is encourage developers resistant to their sites being landmarked to come up with as many ways as possible for delaying designation. Designation can drag out and be prohibited from happening for an extensive period of time. We’re also concerned because it’s been introduced by chairs of landmarks committees who we hope would have a more balanced approach. There are also instances in which developers have tried to prevent landmarking from taking place. This would just give them another tool to do that.

2015-09-04 - Merchant's House East Village NoHo construction

Merchant’s House Museum in NoHo, a landmark now endangered by construction next door. Courtesy: Herrmann Fan.

A letter recently sent to City Council Members from GVSHP and other preservationists does well to call out the inconsistencies of the proposed bill and why it should not be passed:

“Our research shows that the LPC has a solid track record of timely designation, if not within the strict litmus described by Intro 775, then nonetheless within a reasonable period of time. […] In the instances where LPC has failed to act within the proposed time

limits, this failure has been in part a result of the Commission’s limited resources. Designations require heavy investment of staff

time towards extensive research, in-depth examination of boundaries, a full airing of all information and viewpoints on a subject,

and the production of highly-detailed reports. […] it would force LPC to make decisions before all information has been

contemplated and all discussions have taken place.”

Does the City propose that their smallest agency do their work with an eye for speed and quantity instead of quality and thorough consideration of all parties involved and affected? How does it expect the LPC carry out their mission without having adequate time and resources to bring full attention to the task at hand? Or would it prefer they were less effective in considering a conscientious approach to city planning that often gets in the way of developers’ interests? Would it prefer the Commission had less and less power as if it weren’t even part of the dialogue in the first place? How would this help create discussion amongst all parties and interests involved? Would it not simply allow developers to have less restrictions and checks on their actions?

A recent New York Times article quoted Michael Slattery, senior VP for research at the Real Estate Board of New York: “The problem is it’s open-ended and indefinite if your building is calendared. […] If you want to sell your building or develop it, it makes that very hard. Property owners deserve to know what is in their future.” But then, don’t the residents of New York also deserve to have the cultural and historic integrity of their city’s landscape properly cared for and taken into account when a change is about to occur? This was the whole basis for the founding of the Commission in the first place – that the growth of the city should be a conscientious, thoughtful effort; one that recognizes the impact a building has on the city around it, and how it fits in with the character of that city. It was about growing respect for what has gone before and taking responsibility for new progress. Buildings – both old and new ones – have character and heart to them, and if we forsake that, then will we even recognize our city anymore?

By Ruth Osborne

2015-04-16 - The Frick Collection expansion proposed
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A Different Era of Historic Preservation: Will New York Landmarks Law be able to last another 50 years?

Ruth Osborne

As the NYC Landmarks Preservation Commission celebrates fifty years this month, it seems a pertinent time to consider the impact of this organization on the city’s landscape and its effectiveness in preserving the many histories of New York.

In response to the devastating destruction of Penn Station in 1963, the LPC and Landmarks Preservation Law were established in 1965 to provide a legal advocate for aesthetically and historically important sites and structures that make up the multi-layered character of the city. Since then, there have been wins and losses, demonstrating the necessity of such a law to protect New York’s history from complete disregard by the vested interests of developers and even politicians. Substantial numbers have arisen in the form of community and preservation groups now able to better protect the city’s heritage.

2015-04-16 - The Frick Collection expansion proposed

Proposed Frick Expansion. Courtesy: Neoscape Inc./The Frick Collection.

But it seems even the caretakers of a landmarked building can hold the potential to put its historic character in danger. In recent months, the Frick’s newly-announced expansion has raised many eyebrows, including those of former Frick director Everett Fahy.  Their proposal, announced last June, would add a 106 ft tall addition (equivalent to ten-stories) above its landmarked 1913-14 building by Carrère and Hastings. It would also require the removal of the small 70th St. garden by distinguished 20th century landscape designer Russell Page and its accompanying Reception Pavillion with large windows onto the garden. The group Unite to Save the Frick has formed in response to what they deem a “destructive proposal,” stating their aim to “[preserve] the signature residential character that makes the Frick such a unique place to experience art…We urge the Frick to honor its own tradition of thoughtful additions and explore the many reasonable alternatives that exist for thoughtful expansion and modernization.” They have collected several artists, architects, historians, museum professionals, college deans, and others involved in the governance of various organizations committed to art and preservation. This long list includes former commissioners of the NYC LPC and the NYC Parks Dept., the founder of the Central Park Conservancy, and several other entire groups that have proven their strength in fighting for and funding preservation in New York. Does this sound like a group of advocates who would be denied a listening ear?

2015-04-16 - The Frick Collection expansion Wall Street Journal

Proposed Frick Expansion (showing original and new sections). Courtesy: Wall Street Journal.

But this seems to be happening as the stewardship of cultural landmarks yields to the modernization of museum collections into giant conglomerates. Why must blockbuster exhibitions – which leave lines wrapping several times around the block – be the reasoning behind transforming this private domestic house museum into one with expansive conservation labs and more gallery space? Did Frick intend it as a museum of his artful interiors? Or as a second Met? The fall 2014 press release by current Director Ian Wardropper stated the “exciting plan” will allow the Frick to “now provide the amenities of a twenty-first-century museum.” It reads more like an advertisement for a hotel or apartment renovation than for a museum.

In a recent interview with the the Observer, architect Charles Warren maintains that this proposed addition is in no way a “modest” alteration to the building. Warren, a strong supporter of the United to Save the Frick group, presents a reasonable argument against the changes, despite preservation advocates often being portrayed as having an extreme or unrealistic mindset: “I’m not one of those people who wants to stop time, this isn’t [Colonial] Williamsburg, but is this needed?” Journalist Nate Freeman reminds readers that “several – if not nearly all – recent museum renovation projects have been over-budget and unsuccessful.” The Frick has still failed to make public even a rough estimate for the cost of the expansion.  And while Wardropper insists that these changes are in the interest of creating “ample space” and an “expanded shop” for the Frick’s “growing constituency” and “new educational programs,” as well as opening up the second floor to visitors, the plans by Davis Brody Bond will add only 24% more public gallery space compared with the additional 84% increase in conservation lab space. It will also add another hill of limestone on top of a neighborhood gasping for green space.

2015-04-16 - The Frick Collection garden Russell Page

Garden at the Frick by Russell Page (1977). Courtesy: Wall Street Journal.

We still await the Frick’s proposal to land on the desk of the Landmarks Preservation Commission, which should happen any day now. In the meantime, we encourage you to consider just how this will impact the nature of the collection and what precedent this sets for historic house museums and the historic landscape of the city at large. Is there a case for protecting smaller museums against becoming swallowed up by sprawling institutions with billion-dollar endowments? Similar questions arose with the repurposing of the the Corcoran Gallery in D.C. as it entered new ownership recently. Will landmarked sites no longer be able to preserve the very memory they were landmarked for in the first place?