Artwatch International
  • Home
  • Donate
  • Join
  • Position Statements
  • Projects
  • Contact
  • The Need & The Mission
  • ArtWatch UK Archive
  • Search
  • Menu
  • Why Greece Does Not Need the Elgin Marbles

    Michael Daley – an (unpublished) paper delivered at the Economist Athens Conference, 12 March 2003

    Read the ArtWatch article here.
  • Joshua Charow unveils the remaining spaces that helped foster New York City’s epicentral art world reputation

    (All photography in this article courtesy of Joshua Charow.)

    Read the ArtWatch article here.
  • “The Fate of the Parthenon Sculptures before and after Elgin”

    The abiding central contention in the Elgin Marbles dispute is unfounded

    Read the ArtWatch article here.
  • Holbein’s Anne Boleyns and the “Discovery” Trope

    In art restoration, where claimed “discoveries” so often mask bungled interventions, the proof of the pudding is in the looking

    Read the ArtWatch article here.
  • Sex, Trigonometry and Anne Boleyn’s Recovered Likeness

    Art can suffer many injuries and indignities. The worst of these, short of outright destruction – but also irreversible – is restoration damage

    Read the ArtWatch article here.
  • ARTWATCH AT THIRTY, PART II: THE ARTFUL PROMOTION OF THE WORLD’S WORST RESTORATIONS

    How the defence of bad restorations spawns shadowy, secretive Committees-of-Exoneration

    Read the ArtWatch UK article here.
  • ArtWatch at Thirty, Part I: The Unstoppable, “Rapidly Filed Away” Sistine Chapel Restoration

    November this year marked ArtWatch International’s thirtieth anniversary and May 26th next year will mark the fifteenth anniversary of the death of its founder, James Beck, Professor of Renaissance Art History at Columbia University. 

    Read the ArtWatch UK article here.
  • Further Thoughts II: The less and less Leonardo ex-Cook collection Salvator Mundi

    Jacques Franck concludes a three-part demolition of the once attributed but now deposed, $450m New York/Russian/Saudi Leonardo da Vinci Salvator Mundi.

    Read the ArtWatch UK article here.
  • PROLOGUE TO FURTHER THOUGHTS II

    Jacques Franck explores the damaging restorations and mis-attributed works that follow art historical studies and scientific essays made in ignorance of actual historical artistic practices.

    Read the ArtWatch UK article here.
  • The Demise of the National Gallery’s “made just like Rubens” Samson and Delilah with inexplicably cropped toes

    Dalya Alberge reports a negative result on Artificial Intelligence comparisons of the Samson and Delilah’s brushwork with that on 148 uncontested Rubens paintings.

    Read the ArtWatch UK article here.
  • Peter Freeth R. A. – 40 Years of Aquatints

    There are no fewer than seventy-six works of constant, unsettling power in this show – every one of which is monumental in its effect regardless of size.

    Read the ArtWatch UK article here.
  • An Appliance of Science in Art Historical Studies

    “The thrilling focus put by Ann Pizzorusso’s research on the geology of Leonardo’s landscapes in works such as the Virgin of the Rocks and the Louvre’s The Virgin and Child with St. Anne is of foremost importance…”

    Read the ArtWatch UK article here.
  • With the Sistine Chapel ceiling we know, but who wrecked Gustav Klimt’s Helene and Sonja portraits?

    A century on from Klimt’s death scarcely a single picture has survived restorations true to its original self.

    Read the ArtWatch UK article here.
  • A National Gallery restoration that repudiates earlier National Gallery restorations

    Museum staffs invariably and hubristically claim that their expert and state-of-the-art picture restorations render all earlier studies obsolete.

    Read the ArtWatch UK article here.
  • The Disappeared Salvator Mundi’s endgame: Part I: Altered States and a Disappeared Book

    The notoriously disappeared picture is set to become a musical in 2022 in which “artistic liberties will be freely taken to make an enlightening and entertaining experience”. Amazon is offering T-Shirts showing the Salvator Mundi as it had looked in 2011 when part-restored.

    Read the ArtWatch UK article here.
  • Further thoughts about the ex-Cook Collection Salvator Mundi

    The Leonardo Salvator Mundi controversy turns on which artist’s hand is – or which artists’ hands are – present on the painting. While many scholars agree that more than one hand is present, as is demonstrated here, neither belongs to Leonardo.

    Read the ArtWatch UK article here.
  • The Saviour and a Stealth-Attribution

    After a dozen art historians had bet the art historical farm on a “from-nowhere” Salvator Mundi being an autograph Leonardo painting, it first fetched $450m in 2017 and then disappeared.

    Read the ArtWatch UK article here.
  • Situating La Bella Principessa’s Eye

    Showing how the drawn construction of “La Bella Principessa’s” eye bears stylistic affinities with of eyes encountered in Cubist artists like Juan Gris and is anatomically incompatible with Leonardo’s own drawn and painted eyes.

    Read the ArtWatch UK article here.
  • Hollow Gods and Dangerous Beauty

    The unsung – and free – delights of London’s non-museum, private art gallery network, as encountered in two memorable exhibitions on one street in St James’.

    Read the ArtWatch UK article here.
  • From Guido to Boccioni – The Liberation and Repudiation of Classicism

    The Estorick Collection’s ground-breaking Anders Rådén and Matt Smith show Umberto Boccioni: Recreating the Lost Sculptures

    Read the ArtWatch UK article here.
  • Books on No-Hope Attributions

    Recent additions to the fast-growing and least-estimable art-book publishing genre – The Partisan Book of Art Attribution Advocacy.

    Read the ArtWatch UK article here.
  • The non-appearing, disappeared, $450million, now officially not-Leonardo, Salvator Mundi

    The downgrading of the $450million, supposedly long-lost, Leonardo-painted prototype Salvator Mundi by the Louvre Museum in its catalogue for the blockbuster exhibition “Léonard de Vinci”.

    Read the ArtWatch UK article here.
  • Notre-Dame: A Tale of Two Pathologies

    An indecent, inferno-facilitated rush by the French State to rebuild “anew” a long-neglected and disparaged Gothic Cathedral as a “contemporary art gesture”.

    Read the ArtWatch UK article here.
  • Notre-Dame Cathedral: Another restoration, another fire – and more unanswered questions

    The Notre-Dame Cathedral inferno was not an act of God. It arose within a particular restoration programme under a singular (ambivalent) French heritage ethos that has spawned many fires.

    Read the Artwatch UK article here.
  • $450 Million Salvator Mundi: Dead in the Water

    The attribution of the world’s most expensive painting – the $450 million Louvre Abu Dhabi Salvator Mundi – has collapsed under the combined weights of two scholars’ findings and the picture’s own artistic and art historical implausibility.

    Read the ArtWatch UK article here
  • The pear-shaped Salvatore Mundi

    New revelations send the Louvre Abu Dhabi Salvatore Mundi towards a pear-shaped fate.

    Read the Artwatch UK Article Here
  • Two Developments in Abu Dhabi Louvre Leonardo Saga

    At left, a previous “Leonardo” Salvator Mundi contender. At right, the Louvre Abu Dhabi Salvator Mundi as sold in 2017. The seller is now suing Sotheby’s for fraud in connection with the sale to him of the painting.

    Read the ArtWatch UK Article Here
  • Whitewashing of Chartres Cathedral Stonework

    Chartres cathedral stone work in its pre- and post-restoration conditions.

    Read the ArtWatch UK article here
  • How the Louvre Abu Dhabi Salvator Mundi became a Leonardo-from-nowhere

    left to right: screenshot of 2005 state; as exhibited as an autograph Leonardo painting in Dec 2011 at the National Gallery; as sold at Christie’s, New York, in Nov 2017

    Read the ArtWatch UK article here.
  • The Words of Conservation: Manet, Pastiche, and Authenticity at the Guggenheim

    Édouard Manet, Woman in Striped Dress (before and after treatment – DETAIL), 1877–80. Oil on canvas, 174.3 x 83.5 cm
    Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser, 1978. Photo: Allison Chipak. © Solomon R. Guggenheim Foundation, 2018.

    Read the ArtWatch article here.
    2018-08-31 - Manet - Guggenheim - Words of Conservation
  • “Leonardo scholar challenges attribution of $450m painting”

    Image: infra-red reflectogram of Louvre Abu Dhabi “Salvator Mundi”; detail of the London National Gallery’s “Christ among the Doctors” by Leonardo’s assistant, Bernardino Luini

    Read the ArtWatch UK article here.
  • Deaccession Misperceptions

    Check the facts before critiquing the professionals.

    Read the ArtWatch article here.
  • Berkshire Museum Art Goes to Auction

    Image: Art deaccessioned from the Berkshire on view at Sotheby’s. Courtesy: Two Coats of Paint blog.

    Read the ArtWatch article here.
  • In Memoriam: Tom Wolfe (1930-2018)

    Image: Tom Wolfe as photographed in New York in 1968 by Sam Falk for The New York Times.

    Read the ArtWatch UK article here.
  • Rodin & Ancient Greek Art: A Personal View of a Magnificent Show


    Read the ArtWatch UK article here.
  • What is a Library without its Books? The Battle to Save the UT Austin Fine Arts Library.

    Image Courtesy: Abigail Sharp.

    Read the ArtWatch article here.
  • The Leonardo "Salvator Mundi" Saga: Three Developments

    Image Courtesy: Drew Angerer / Getty Images – as published 2 Apr 2018 in “Buffalo News”.

    Read the ArtWatch UK article here.
  • In Celebration: Paul Anthony Harford, Draughtsman

    On view at Focal Point Gallery through April 22nd (Southend-on-Sea, England).

    Read the ArtWatch UK article here.
  • Startling Disclosures on the re-re-restored Leonardo Salvator Mundi

    Image: The two Arab princes who settled into a bidding war for the work. Courtesy: Getty Images.

    Read the ArtWatch UK article here.
  • In Their Own Words Pt. 3: The Reception of the First Leonardo ‘Salvator Mundi’

    Image Courtesy: The Sunday Times Magazine (Oct 2011)

    Read the ArtWatchUK article here.
  • In Their Own Words Pt 2: The Curse of (revenue-generating, thought-precluding) Audio-Guides

    Image: Clay Cofer, an Art Team member at the Barnes Foundation, does a pop-up gallery talk for visitors. Courtesy: SYDNEY SCHAEFER, Barnes Foundation Staff Photographer.

    Read the ArtWatch UK article here.
  • In Their Own Words Pt 1: Civilisations & Burrell Loans

    Image: Simon Schama fronting the scathingly-received 2018 multi-voiced Civilisations outside Itimad-ud-Daulah’s Tomb in Agra, Uttar Pradesh. Courtesy: BBC.

    Read the ArtWatch UK article here.
  • Holding the Public’s Interest: The Show of Art Conservation

    Image: Jackson Pollock Number 1, 1949 (1949). Enamel and metallic paint on canvas. Courtesy: MOCA LA.

    Read the ArtWatch article here.
  • A day in the life of the new Louvre Abu Dhabi Annexe’s pricey new Leonardo Salvator Mundi

    Image: French Prime Minister Edouard Philippe with Shiekh Hamed bin Zayed Al Nahyan, CEO of Abu Dhabi Investment Authority, during inauguration of BNP paribas Abu Dhabi Global market Branch on February 10, 2018. Courtesy: Karim Sahib for AFP / Art Daily.

    Read the ArtWatch UK article here.
    2018-02-13 ArtWatch UK - Salvator Mundi Louvre Abu Dhabi
  • Nouveau riche? Welcome to the Club!

    Michael Daley considers Georgina Adams’ new book “The Dark Side of the Boom”.
    Image Courtesy: Amazon

    Read the ArtWatch UK article here.
    2018-02-27 -Dark-Side-Of-The-Boom-Art-Market-ArtWatchUK
  • Who Gets the Conservation Dollars??

    Image Courtesy: Bank of America Art Conservation Project.

    Read the ArtWatch article here.
  • The $450m New York Leonardo Salvator Mundi Part II: It Restores, It Sells, therefore It Is

    The painting being examined in the National Gallery in 2011. Courtesy: CNBC.

    Read the ArtWatch UK article here.
    2018-02-05 - ArtWatch UK - Salvator Mundi Part II
  • Another Loss for Arts Stewardship: La Salle’s Sale

    Image Courtesy: La Salle University (Philadelphia, PA).

    Read the ArtWatch article here.
  • Museums & the Public Interest: More Questions for the Berkshire Museum

    Image Courtesy: artnet News.

    Read the ArtWatch article here.
  • Fragonard’s Layers & the Promotion of Conservation Treatments

    Image courtesy: Mandel Ngan / AFP.

    Read the ArtWatch article here.
  • Problems with the New York Leonardo Salvator Mundi Part I: Provenance and Presentation

    Images: Heydenreich’s 1964 study “Leonardo’s ‘Salvator Mundi’”.

    Read the ArtWatch UK article here.
  • Museum Mismanagement on Trial: The Berkshire Museum Taken to Court.


    Read the ArtWatch article here.
  • Satellite Museum Dreams and Misgivings in Abu Dhabi

    Image courtesy: Saadiyat Cultural District website.

    Read the ArtWatch article here.
  • Degas and the Problem of Finish

    AWUK Feature by Alexander Adams.

    Image: Dance Examination (Examen de Danse), 1880. Courtesy: Denver Art Museum.

    Read the ArtWatch UK article here.
  • Leonardo, Salvator Mundi, and an “unusual lapse”

    Image: Salvator Mundi (detail)

    Read the ArtWatch UK article here.
  • THE ANNUAL JAMES BECK MEMORIAL LECTURE: ‘Never trust the teller trust the tale’

    A memorial lecture, two journals and an assault on scholarship.

    Image: Bartolomeo Manfredi, Mars Chastising Cupid, 1613. Courtesy: Art Institute of Chicago.

    Read the ArtWatch UK article here.
  • The (not so-new) latest New Leonardo Discovery.

    Image: detail of “Joconde nue” (as published showing prick marks when the design was transferred for use on panel). Courtesy: Musée Condé, Chantilly.

    Read the ArtWatch UK article here.
  • Mondrian, Schmondrian – another lapse of museum expertise.


    Read the ArtWatch UK article here.
  • Master Plan? Or Master Disaster? The Nation’s Arts Community Reacts to the Berkshire Museum’s Plan to Sell 40 Works.

    Image: Berkshire Museum in Pittsfield, MA.

    Read the ArtWatch article here.
  • UPDATE: Mucha’s “Slav Epic” in Transit

    Image: Mucha installation in 2011, which will now be shifted across two more continents. Courtesy: The Art Newspaper.

    Read the ArtWatch article here.
  • Review: Center for Art Law Event “F for Fake”.

    Image: Orson Wells in “F for Fake” (1973).

    Read the ArtWatch article here.
  • Where There’s a Will, There’s a Way: Rodin’s Fragile “L’Absolution” Treated for Display & Travel?

    Image: Auguste Rodin’s “L’Absolution” on display. Courtesy: Musée Rodin Paris.

    Read the ArtWatch article here.
  • Mucha’s “Slav Epic” On Tour: What Story Will the Canvases Tell after Two Years of Traveling?

    Image: “The-Slavs in Their Original Homeland” (1912). Courtesy: Mucha Foundation

    Read the ArtWatch article here.
PreviousNext
123456789101112131415161718192021222324252627282930313233343536373839404142434445464748495051525354555657585960616263

ArtWatch International is a non-profit 501(c)3 incorporated in the state of New York in 1992 as an international advocate for the voice of art in the conservation and stewardship of historically significant works. It was founded by Columbia University art historian Professor James Beck to serve as a watchdog organization in the arena of cultural policy, protecting works of art and the public interest from vested private and institutional interests. We operate on a project by project basis, establishing task forces to determine the levels and methods of engagement in specific conservation, restoration and cultural policy issues and problems. Some problems have been addressed through scholarly work and publications, other through advisory and consulting arrangements, still others by symposia, debate, lecture forums, and intensive work with the media.

For more from our partner organization, ArtWatch UK, click here:

2013-10-15 - MoMA conservator Jennifer Hick Pollock Number 1A 1948
Article

Update: Pollock Restorations at MoMA Draw to a Close & Corporate America Steps In

Ruth Osborne Last December, ArtWatch posted on three major works by Jackson Pollock then undergoing restoration at MoMA and the Seattle Museum of Art. This was not to be the first time these canvases had been under a restorer’s hand; Sea Change (1947) was varnished in 1970,[1] One (1950) underwent overpainting in the 1960s[2], and […]

Read more
October 15, 2013/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/10/2013-10-15-MoMA-conservator-Jennifer-Hick-Pollock-Number-1A-1948.jpg 696 696 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-10-15 10:55:372017-10-11 12:50:20Update: Pollock Restorations at MoMA Draw to a Close & Corporate America Steps In
2013-09-11 - Bank of America Art Conservation Project
Article

Conservation Funding and Corporate Interest – A Look at the Bank of America Art Conservation Project

Ruth Osborne The price tag on conservation for a major work of art is rather steep. The funding of such a project allows a global corporation such as the Bank of America to exhibit its benevolent side to the public. Bank of America’s website for its Merrill Lynch Global Art Conservation Project boasts that it […]

Read more
September 11, 2013/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/09/2013-09-11-Bank-of-America-Art-Conservation-Project.jpg 512 957 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-09-11 23:09:422018-02-01 14:46:43Conservation Funding and Corporate Interest - A Look at the Bank of America Art Conservation Project
2013-08-13 - Lisa Gherardini skull Mona Lisa Florence Italy
Article

Speculation and Sensationalizing: Art and History through the Lens of CSI Archeology

Ruth Osborne Over the weekend there occurred a surge in news reports about excavations at the graves of the husband and sons of Lisa Gherardini, the supposed subject of Leonardo’s Mona Lisa (1503-6, 1517). NBC reported on Friday that a centuries-old crypt in Florence was opened to extract DNA from these skeletal remains in order […]

Read more
August 13, 2013/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/08/2013-08-13-Lisa-Gherardini-skull-Mona-Lisa-Florence-Italy.jpg 215 400 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-08-13 22:37:262017-10-11 13:04:47Speculation and Sensationalizing: Art and History through the Lens of CSI Archeology
2013-08-13 - pump probe laser Puccio Crucifixion Duke University
Article

Art Under the Laser – New “Noninvasive” Conservation and Analysis Treatments

Ruth Osborne  “Shooting a laser at a priceless 14th century painting may seem problematic. But, precisely tuned and timed, the laser system may be the only non-destructive way to get into the mind of long-dead artists…”[1] This is indeed a troubling statement for the future of art conservation.   ArtWatch has focused attention on the […]

Read more
August 9, 2013/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/08/2013-08-13-pump-probe-laser-Puccio-Crucifixion-Duke-University.jpg 386 300 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-08-09 15:56:092017-10-11 13:16:28Art Under the Laser - New “Noninvasive” Conservation and Analysis Treatments
2013-07-11 - art conservation SUNY Buffalo
Article, Position Statement

The Education of Art Conservators – Examining the Field at its Foundations

Einav Zamir & Ruth Osborne About ten years ago, popular media outlets such as National Geographic News and the Boston Phoenix started reporting on what has come to be colloquially known as the “CSI Effect.” According to many American legal professionals, jurors in criminal trials increasingly favor forensic analysis over eye witnesses or circumstantial evidence, […]

Read more
July 11, 2013/0 Comments/by Kenn Richards
https://www.artwatchinternational.com/wp-content/uploads/2013/07/2013-07-11-art-conservation-SUNY-Buffalo.jpg 265 625 Kenn Richards https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Kenn Richards2013-07-11 14:50:122017-10-11 13:22:36The Education of Art Conservators – Examining the Field at its Foundations
2013-05-26 - Delphic Sybil Sistine Chapel Michelangelo
Article

Evidence of the Eyes: An Interview with Alexander Eliot

Einav Zamir In the landmark 1967/8 documentary, The  Secret  of  Michelangelo,  Every  Man’s  Dream, Alexander Eliot, painter and former art critic and editor for Time magazine states that “almost everything we saw on the barrel  vault  came  clearly  from  Michelangelo’s  own  inspired  hand.  There  are  passages  of  the  finest,  the   most  delicately  incisive  draughtsmanship […]

Read more
May 26, 2013/1 Comment/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/05/2013-05-26-Delphic-Sybil-Sistine-Chapel-Michelangelo.jpg 1630 1230 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-05-26 13:41:422017-10-20 13:19:41Evidence of the Eyes: An Interview with Alexander Eliot
2013-04-27 - Mystical Nativity Sandro Botticelli National Gallery London
Article, Event

Recap: ArtWatch International’s Fourth Annual James Beck Memorial Lecture

Ruth Osborne This past Wednesday, April 24th, ArtWatch was proud to present the fourth annual James Beck Memorial Lecture. Each year ArtWatch holds this event to commemorate the scholarly career and the principled stand of its founder, Professor James Beck. The lectures, organized by Michael Daley, the director of ArtWatch UK, provide a platform for […]

Read more
April 27, 2013/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/04/2013-04-27-Mystical-Nativity-Sandro-Botticelli-National-Gallery-London.jpg 4026 2780 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-04-27 13:47:072017-10-20 13:18:58Recap: ArtWatch International's Fourth Annual James Beck Memorial Lecture
2013-04-02 - James Beck
Event

ArtWatch International Presents the 2013 James Beck Memorial Lecture and Reception

Einav Zamir ArtWatch International Inc. is pleased to announce our fourth annual James Beck Memorial Lecture. Each year ArtWatch holds an annual James Beck Memorial Lecture and reception to commemorate the scholarly career and the principled stand of its founder, Professor James Beck. The lectures, organized by Michael Daley, the director of ArtWatch UK, provide […]

Read more
April 2, 2013/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/04/2013-04-02-James-Beck.jpg 514 430 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-04-02 17:17:242017-10-31 15:11:42ArtWatch International Presents the 2013 James Beck Memorial Lecture and Reception
2013-01-06 - ancient greek ceramics
Article

Where One Hand Ends and the Other Begins: Museum Ethics and the Restoration of Ancient Ceramics

  Einav Zamir In February of last year, Kaikodo gallery, a small but well-known commercial venue for Asian art, provided an informational tour of their location to students from the Bard Graduate Center. In what would become a pivotal moment in my development as an art historian, the curator, by way of introduction, held up […]

Read more
January 6, 2013/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2013/01/2013-01-06-ancient-greek-ceramics.jpg 404 550 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2013-01-06 13:35:002017-10-31 15:20:16Where One Hand Ends and the Other Begins: Museum Ethics and the Restoration of Ancient Ceramics
2012-12-21 - MoMA Conservation Lab
Article

Restoring Pollock: Making Modern New at MoMA and SAM

Einav Zamir In the wake of extensive media coverage concerning a restoration purposed by the Seattle Art Museum of Jackson Pollock’s Sea Change, the 1947 groundbreaking work exploring the drip technique that would later define his career, it was brought to our attention that the Museum of Modern Art in New York is currently restoring […]

Read more
December 21, 2012/2 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2012/12/2012-12-21-one-number-31-1950-echo-moma-conservation-lab.jpg 1143 643 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2012-12-21 20:28:232017-10-31 15:33:37Restoring Pollock: Making Modern New at MoMA and SAM
Page 8 of 14«‹678910›»
Share with followers.
  • Share on Facebook
  • Share on Twitter
  • Share on Linkedin
  • Share on Reddit
  • Share by Mail

Send us mail

Followon TwitterSubscribeto RSS Feed

Tags

AAM American Alliance of Museums architecture art conservation art damage art restoration Berkshire Museum collection stewardship Corcoran Corcoran College Corcoran Gallery Corcoran Gallery of Art corporate sponsorship deaccession Delaware Art Museum exhibition Florence frescoes Giotto Greenwich Village Greenwich Village Society for Historic Preservation historic preservation Italian art Italy James Beck James Beck Memorial Lecture Landmarks Preservation Commission Leonardo Leonardo da Vinci Metropolitan Museum of Art Michelangelo museum expansion National Gallery London National Gallery of Art Padua Picasso Renaissance Renaissance art restorers Save the Corcoran Sistine Ceiling Sistine Chapel traveling exhibition Vatican Vatican Museums

Categories

  • Article (125)
  • ArtWatch Italia (1)
  • ArtWatch UK (2)
  • Event (12)
  • Open Letter (4)
  • Petition (3)
  • Position Statement (38)
  • Review (2)
  • Uncategorized (2)

Archives

  • August 2018
  • July 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • August 2017
  • May 2017
  • April 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • April 2016
  • March 2016
  • February 2016
  • December 2015
  • November 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • May 2013
  • April 2013
  • January 2013
  • December 2012
  • November 2012
  • December 2007
  • May 2007
  • February 2007
  • June 2006
  • May 2006
  • November 2005
  • October 2005
  • September 2005
  • July 2005
  • June 2005
  • February 2005
  • January 2005
  • December 2004
  • November 2004
  • September 2004
  • August 2004
  • July 2004
  • May 2004
  • April 2004
  • March 2004
  • February 2004
  • January 2004
  • December 2003
  • November 2003
  • July 2003
  • June 2003
  • April 2003
  • March 2003
  • February 2003
  • January 2003
  • October 2002
  • July 2002
  • May 2002
  • April 2002
  • February 2002
  • November 2001
  • October 2001
  • August 2001
  • July 2001
  • June 2001
  • March 2001
  • February 2001
  • January 2001
  • November 2000
  • March 2000
  • February 1999
  • June 1998
  • January 1998
  • November 1997
  • June 1997
  • March 1996

Interesting links

Here are some interesting links for you! Enjoy your stay :)

Pages

  • Coming Soon
  • Home
  • The Need & The Mission
  • Position Statements
  • Projects
  • Join
  • Donate
  • Contact

Categories

  • Article
  • ArtWatch Italia
  • ArtWatch UK
  • Event
  • Open Letter
  • Petition
  • Position Statement
  • Review
  • Uncategorized

Archive

  • August 2018
  • July 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • August 2017
  • May 2017
  • April 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • April 2016
  • March 2016
  • February 2016
  • December 2015
  • November 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • May 2013
  • April 2013
  • January 2013
  • December 2012
  • November 2012
  • December 2007
  • May 2007
  • February 2007
  • June 2006
  • May 2006
  • November 2005
  • October 2005
  • September 2005
  • July 2005
  • June 2005
  • February 2005
  • January 2005
  • December 2004
  • November 2004
  • September 2004
  • August 2004
  • July 2004
  • May 2004
  • April 2004
  • March 2004
  • February 2004
  • January 2004
  • December 2003
  • November 2003
  • July 2003
  • June 2003
  • April 2003
  • March 2003
  • February 2003
  • January 2003
  • October 2002
  • July 2002
  • May 2002
  • April 2002
  • February 2002
  • November 2001
  • October 2001
  • August 2001
  • July 2001
  • June 2001
  • March 2001
  • February 2001
  • January 2001
  • November 2000
  • March 2000
  • February 1999
  • June 1998
  • January 1998
  • November 1997
  • June 1997
  • March 1996
© Copyright - Artwatch International - Enfold Theme by Kriesi
Scroll to top