Entries by Nick

Calder Mobile Disappears: Will this be the next item sold by the Delaware Art Museum?

Ruth Osborne The Delaware Art Museum may be best-known for its nineteenth-century works (by the Pre-Raphaelites, Brandywine River School, and Ashcan School), but their modern collection may also take a hit from the recent budget crisis. Recent speculation by local news sources suggests the disappearance of an Alexander Calder mobile from installation and the Museum’s online database heralds […]

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Museum Budgets & an Anxious Arts Community: What does this say about the next 15 years?

Ruth Osborne Last month, we received update on a historically significant painting by Pre-Raphaelite artist William Holman Hunt set to be sold at Christie’s to pay of a portion the Delaware Art Museum’s $30 million debt. In the ensuing weeks, ArtWatch has picked up on an increasing degree of anxiety from art historians and journalists keeping […]

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Art Law Focus on : Art Forgery

Angelea Selleck Art forgery has existed for centuries. However, in recent years it seems more prevalent in the art world and its presence is unsettling. In such a litigious society as that of the USA, it is crucial that experts, dealers, auctioneers, curators and gallery owners all play by the rules when purchasing a new […]

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The Future of the Museum: In the war between Directors and Boards, it’s the Art that Pays.

Ruth Osborne To the long list of stripped gallery walls will now unfortunately be added those of the Delaware Art Museum. Though the state it represents is small, its collection boasts one of the largest selections of Pre-Raphaelite art (outside of the U.K.), important pieces from Brandywine River School artists Howard Pyle and N.C. Wyeth, […]

Sistine Ceiling 2.0: Restoration of the Carracci Gallery Frescoes.

Ruth Osborne This past February, announcements were made concerning the restoration project planned for the frescoes adorning the Carracci Gallery at the Palazzo Farnese in Rome. This is no new thing for Annibale Carracci’s monumental cycle The Love of the Gods (1597-1606), which had already undergone “consolidation” only a few decades after completion under Baroque […]