Entries by Nick

Master Plan? Or Master Disaster? The Nation’s Arts Community Reacts to the Berkshire Museum’s Plan to Sell 40 Works.

Ruth Osborne The argument for museums and cultural institutions established by generations past to be more relevant to the needs of communities has been going on for years. It appears when museums find themselves without the resources to keep the lights on or repair major structural damages to their historic buildings. When philanthropy and funding […]

UPDATE: Mucha’s “Slav Epic” in Transit

Readers – An update on our post of February 2017 – Mucha’s “Slav Epic” On Tour –  is in order, as the works by now have opened in exhibition in Tokyo, and the risks inherent in their travel will be made evident soon.  Patrick Connors, a painter with 35 years of extensive professional practice, has written to ArtWatch, […]

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Review: Center for Art Law Event “F for Fake”

Ruth Osborne Last week, the Center for Art Law hosted an event at the Brooklyn Law School regarding the (unfortunately) highly relevant topic of fakes and forgeries on the art market. Irina Tarsis, Esq., Founder and Director of the organization, introduced Orson Welles’s 1973 film “F for Fake” to begin a discussion on the various […]

Where There’s a Will, There’s a Way: Rodin’s Fragile “L’Absolution” Treated for Display & Travel?

Ruth Osborne The Art Newspaper reported last month on an extremely fragile piece by sculptor Auguste Rodin, held in the collection of the Musée Rodin in Paris, that is now to go on exhibition and on the road. The work, titled “L’Absolution”, was created from plaster and cloth by Rodin, approximately around 1900. Its complicated construction consists of over […]

Mucha’s “Slav Epic” On Tour: What Story Will the Canvases Tell after Two Years of Traveling?

Ruth Osborne In one month, an exhibition of turn-of-the-century Czech artist Alphonse Mucha’s Slav Epic (1910-1926) will open to the public at the National Art Center in Tokyo. The artist’s grandson, John Mucha, has been fighting this action for the past several months.  The contracts have been signed, the decision gone to court, and the massive works will now likely be flown from their […]

Doing Over Barnes: Is Shaman Drumming Necessary to Connect with Art?

Ruth Osborne If one is to visit the Barnes Collection in Philadelphia (for the story on its relocation from the original Barnes home in Merion, PA, see here and here), between now and February 19th, one would find something interrupting its experience of the art in this immense and extraordinary collection: shaman drumming and poems to […]

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Stewardship of Art in the Face of Museum “Sprawl”.

Ruth Osborne           Our recent post addressing corporate sponsorship and crowdfunding questions the funds behind the support of our artistic and cultural heritage in the past few decades. In that same vein, we felt it important to call to light where major collections are either dividing themselves across continents or are getting swallowed up by larger […]

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How Much is that Rembrandt on the Gallery Wall?

Ruth Osborne How Much is that Rembrandt on the Gallery Wall? Do we question the money – and the hands holding the money – behind all the art world’s headline-grabbing exhibitions, restorations, and museum expansions? Furthermore, do we consider exactly how that money is being acquired? It may surprising to some that in the very […]

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Sistine Ceiling, Before and After Restoration: Looking Back In Order To Look Forward.

Ruth Osborne Several years ago, ArtWatch helped produce a film on the changes that occurred when the Sistine Chapel ceiling underwent restoration in 1980-1994. It considers the frescoes of Michelangelo Buonarroti before and after the massive restoration treatment. We would like to share with you some outtakes of the film that we believe may enlighten viewers […]

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Recap: 2016 James Beck Memorial Lecture

This year’s 8th annual James beck Memorial Lecture was hosted last Thursday evening at The Art Students League of New York in midtown. Alternating between London and New York, ArtWatch holds this event each year to honor memory, scholarly efforts, and unwavering commitment to artistic stewardship of its founder, Professor James Beck. Since Beck’s passing […]